Ellie Parker 32x45 Framed and Double Matted Movie Poster - Style A - 2005
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The book has three heroes: Paul Brenner and Cynthia Sunhill of the army's Criminal Investigation Division and Capt. Ann Campbell, found dead with her underpants around her neck on the firing range at Fort Hadley, Georgia. Brenner and Sunhill are lowly warrant officers, but as investigators they can theoretically arrest their superiors--as long as their case is airtight. This ups the tension level, as does the fact that Brenner and Sunhill once had an adulterous affair.
The chief problem, though, is too many suspects. Capt. Campbell, the daughter of the general who runs the base, is literally a poster woman for t! he New Army, a West Point grad and Gulf War hero who posed in ! a life-s ize recruitment poster. It's pinned up on her basement wall--and when the sleuths touch the poster it swings back to reveal a hidden playroom stocked with sex toys and videos of many army guys in pig masks and the captain in high heels. She was a high-IQ "two percenter"--and Brenner finds that two percenters often wind up on his desk as homicide suspects. Why is this one a victim? It has something to do with the collected works of Nietzsche on her bookshelf, corruption in high places, and the rag and bone shop of the heart.
This is one racy read, and it crackles with authenticity. DeMille is a Vietnam veteran who does for military justice what John Grisham does for civilians. --Tim Appelo When eighteen-year-old heiress Averie Winston travels to faraway Chiarrin, she looks forward to the reunion with her father and her handsome fiancâ, Morgan. What she finds is entirely different from what she expected. She realizes that Morgan is not the man she thought he was; ! and she finds herself inexplicably drawn to another. Handsome Lieutenant Ket Du'kai is like no one Averie has ever met, and she enjoys every moment she spends with him, every delicious flirtation. Averie knows she's still engaged to another man, but she can't help but think about Lieutenant Du'kai, and she wonders if he feels the same.Here is an intriguing and sophisticated murder mystery of an upstanding military officer - the base commander's daughter - who's been leading an unsavory double life.
When a professional military woman with a pristine reputation is found raped and murdered, a preliminary search turns up certain paraphernalia, and sex toys that point to a scandal of major proportions, The chief investigator is reluctant to take the case when he learns that his partner will be a woman with whom he had a tempestuous affair and an unpleasant parting. But duty calls and intrigue begins when they learn that several top-level people may have been involved with! the "golden girl" - and many have wanted her dead.
It! 's Nelso n DeMille at his best - exciting, suspenseful and highly provocative.Long before the John Travolta film of The General's Daughter (which the author extols in the foreword), Nelson DeMille's seventh mystery was the breakout hit of his career. The rapid-fire dialogue and scenes are cinematic, and the storytelling puts most movies to shame.
The book has three heroes: Paul Brenner and Cynthia Sunhill of the army's Criminal Investigation Division and Capt. Ann Campbell, found dead with her underpants around her neck on the firing range at Fort Hadley, Georgia. Brenner and Sunhill are lowly warrant officers, but as investigators they can theoretically arrest their superiors--as long as their case is airtight. This ups the tension level, as does the fact that Brenner and Sunhill once had an adulterous affair.
The chief problem, though, is too many suspects. Capt. Campbell, the daughter of the general who runs the base, is literally a poster woman for the New Arm! y, a West Point grad and Gulf War hero who posed in a life-size recruitment poster. It's pinned up on her basement wall--and when the sleuths touch the poster it swings back to reveal a hidden playroom stocked with sex toys and videos of many army guys in pig masks and the captain in high heels. She was a high-IQ "two percenter"--and Brenner finds that two percenters often wind up on his desk as homicide suspects. Why is this one a victim? It has something to do with the collected works of Nietzsche on her bookshelf, corruption in high places, and the rag and bone shop of the heart.
This is one racy read, and it crackles with authenticity. DeMille is a Vietnam veteran who does for military justice what John Grisham does for civilians. --Tim Appelo Here is an intriguing and sophisticated murder mystery of an upstanding military officer - the base commander's daughter - who's been leading an unsavory double life.
When a professional military woman with a! pristine reputation is found raped and murdered, a preliminar! y search turns up certain paraphernalia, and sex toys that point to a scandal of major proportions, The chief investigator is reluctant to take the case when he learns that his partner will be a woman with whom he had a tempestuous affair and an unpleasant parting. But duty calls and intrigue begins when they learn that several top-level people may have been involved with the "golden girl" - and many have wanted her dead.
It's Nelson DeMille at his best - exciting, suspenseful and highly provocative.James Maurice Gavin left for war in April 1943 as a colonel commanding the 505th Parachute Infantry Regiment of the 82nd Airborne Division-America's first airborne division and the first to fight in World War II. In 1944, Slim JimGavin, as he was known to his troops, at the age of thirty-seven became the 82nd's commanding general-the youngest Army officer to become a major general since the Civil War. At war's end, this soldier's soldier had become one of our greatest generals-an! d the 82nd's most decorated officer.Now James Gavin's letters home to his nine-year-old daughter Barbara provide a revealing portrait of the American experience in World War II through the eyes of one of its most dynamic officers. Written from ship decks, foxholes, and field tents-often just before or after a dangerous jump-they capture the day-to-day realities of combat and Gavin's personal reactions to the war he helped to win. And provide an invaluable self-portrait of a great general, and a great American, in war and peace.The book's more than 200 letters begin at Fort Bragg in 1943 and continue to December 1945, as Gavin came home to lead the 82nd at the head of the Victory parade in New York. This correspondence constitutes the majority of Gavin's private wartime letters, but except for rare appearances in regimental newsletters, it has never before been published. In her Introduction, Epilogue, and Notes, Barbara Gavin Fauntleroy gives a privileged glimpse of the pri! vate man. Edited by Gayle Wurst, the book features historical ! overview s by Starlyn Jorgensen, a preface by noted Gavin biographer Gerard M. Devlin, and a foreword by Rufus Broadaway, Gavin's aide-de-camp.Welcome to the End of Empire. Set over two hundred years from now, in a world very much like Imperial Rome, this is the story of General Peter Black, the last decent man, as told through the eyes of his devoted (and illegitimate) daughter, Justa. Raised on battlefields, more comfortable in the company of hard men of war than with women or other children, Justa must keep the truth of her birth hidden. Her father regards her as an embarrassment, a reminder of his one and only indiscretion. Yet she is a remarkable woman - one whose keen mind wins her an education at the feet of Emperor Mathias the Glistening himself. All his life, General Black served the noble emperor, and, out of loyalty to the father, continues to serve his son after Mathias' death, even as the son's reign degenerates into an insane tyranny worthy of Nero or Caligula. As the r! ule of the empire passes from father to son with disastrous results, a strange metal plague begins slowly destroying the empire's technology, plunging the realm into chaos and the world into war. Amid the destruction and upheaval, General Black must decide whether to turn his back on the men and institutions who never loved him nearly as much as he did them, or whether to save his most trusted ally and adviser, his best friend and only real family. "The Martian General's Daughter" is a gripping tale of a world at war; of cunning strategies and vile politics; of bravery, foolishness, and excess. It is at once a stirring military adventure, a cautionary tale of repeating history, a cutting satire, and a heartbreaking examination of the joys and pain inherent in the love between a father and child. Judson's previous novel was selected in multiple best-of-the-year lists. With "The Martian General's Daughter", he offers another must-read epic destined to take its place in the c! anon of science fiction, and sure to appeal to readers of ever! ything f rom Orson Scott Card to Walter M Miller, Jr.
From the cradle to college, tell your daughters the truth about life before they believe the cultureâs lies.
For mothers with girls newborn to eighteen, Five Conversations You Must Have with Your Daughter is simply a must-have book. Youth culture commentator Vicki Courtney helps moms pinpoint and prepare the discussions that should be ongoing in their daughters' formative years.
To fully address the dynamic social and spiritual issues and influencers at hand, several chapters are written for each of the conversations, which are:
1. You are more than the sum of your parts
2. Donât be in such a hurry to grow up
3. Sex is great and worth the wait
4. Itâs OK to dream about marriage and motherhood
5. Girls gone wild are a dime a dozenÂdare to be virtuous
The book is linked to online bonus features offering invaluable tips on having these convers! ations across the various stages of development: five and under, six to eleven, twelve and up.
While the ! film's p lot, marked by chapters named after stages of grief, like "Pain" and "Despair," is rooted in absolute realism, the film's glorious moments are in its fantasy. There is a talking fox, subtle hints at ghostly occurrences, and many scenes that express the uncanny. Moreover, Gainsbourg's character, obsessed with witchcraft as it relates to historical gynocide and misogyny, adds much to the film's depressing sensibility that wallows unapologetically in decrepitude and faulty, negative reasoning. Dafoe, who plays the psychologist treating his hallucination-plagued wife, does a remarkable job depicting a person struggling through loss with logic. Antichrist works because Dafoe and Gainsbourg create archetypal characters, functioning symbolically as Logic and Psychosis in a Freudian maze with no exit. That said, the violent conclusions in the film's third chapter, "Despair (Gynocide)," are grim, graphic, and very difficult to watch. Antichrist, like its sister film in ! violence portrayed artfully, Irreversible, has all the more shock value because of the archetypal symbolism it successfully establishes. --Trinie DaltonLars von Trier (Europa, Breaking the Waves, Dancer in the Dark) shook up the film world when he premiered Antichrist at the 2009 Cannes Film Festival. In this graphic psychodrama, a grief-stricken man and womanâ"a searing Willem Dafoe (Platoon, The Last Temptation of Christ) and Cannes best actress Charlotte Gainsbourg (Jane Eyre, 21 Grams)â"retreat to a cabin deep in the woods after the accidental death of their infant son, only to find terror and violence at the hands of nature and, ultimately, each other. But this most confrontational work yet from one of contemporary cinemaâs most controversial artists is no mere provocation. It is a visually sublime, emotionally ravaging journey to the darkest corners of the possessed human mind; a disturbing battle of the sexes that pits rational psychology against ag! e-old superstition; and a profoundly effective horror film.Her! e is Fri edrich Nietzsche's great masterpiece The Anti-Christ, wherein Nietzsche attacks Christianity as a blight on humanity. This classic is essential reading for anyone wishing to understand Nietzsche and his place within the history of philosophy. "We should not deck out and embellish Christianity: it has waged a war to the death against this higher type of man, it has put all the deepest instincts of this type under its ban, it has developed its concept of evil, of the Evil One himself, out of these instincts-the strong man as the typical reprobate, the 'outcast among men.' Christianity has taken the part of all the weak, the low, the botched; it has made an ideal out of antagonism to all the self-preservative instincts of sound life; it has corrupted even the faculties of those natures that are intellectually most vigorous, by representing the highest intellectual values as sinful, as misleading, as full of temptation. The most lamentable example: the corruption of Pascal, who ! believed that his intellect had been destroyed by original sin, whereas it was actually destroyed by Christianity!" -Friedrich Nietzsche
DVD Features:
Biographies
Deleted Scenes
Filmographies
Interactive Menus
Production Notes
Scene Access
Theatrical Trailer
The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the! killing of two black men. Lacking Derek's gift of rebel rheto! ric, Dan ny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon