Dungeon Tiles Master Set - The Wilderness: An Essential Dungeons & Dragons Accessory (4th Edition D&D)

• Wilderness Dungeon Tiles Master Set Dungeons and Dragons RPG Essentials by Wizards of the Coast
• This box contains 10 double-sided sheets of illustrated, die-cut terrain tiles printed on heavy card

Illustrated wilderness terrain tiles for use with the Dungeons & Dragons® Fantasy Roleplaying Game

The Dungeon Tiles Master Sets are designed to give Dungeon Masters the tiles they need to build Dungeons & Dragons adventure maps, including maps appearing in published adventures.
 
With this box of customizable terrain tiles, Dungeon Masters can add new dimension to their Dungeons & Dragons tabletop experience. Easy to set up and infinitely expandable, this Dungeon Tiles set allows DMs to create the adventures they want to play.
 
This box contains 10 double-sided sheets of illustrated, die-cut terrain tiles printed on heavy cardstock. The til! es feature wilderness sites and terrain elements that Dungeon Masters can use to build exciting encounters set in the outdoors.

Anvil Poster - Concert the Story of Hard N' Heavy

• Anvil Poster
• Poster to advertise an Anvil Concert in Seattle
• April 14, 2009
• Poster size 11 x 17 in ches 28 x 43 cm
• Only 300 printed

In 1981, Canadian Heavy Metal band Anvil released their first album, Hard 'n' Heavy. Years later, the likes of Metallica and Slayer would cite Anvil as a key influence, but lead vocalist Steve "Lips" Kudlow and drummer Robb Reiner struggled to keep the band alive. Documentary filmmaker Sacha Gervasi follows Kudlow and Reiner as they struggle to keep their ambitions alive despite 35 years of missing the brass ring in Anvil! The True Story of Anvil, which paints a sympathetic but warts-and-all portrait of the unexpected consequences of the rock & roll dream.YEAR: 2009Is Anvil the real Spinal Tap? That's a label that could be applied to any number of hapless hard rock bands, but there's enough evidence in Anvil: The Story of Anvil to suggest that these guys may have, uh, tapped into the motherlode. The parallels are many, including getting lost on the way to a gig, playing before 174 people in a 10,000 capacity venue (in Transylvania, yet), inept management, ridiculous songs (even Nigel Tufnel and David St. Hubbins couldn't match "Thumb Hang," an Anvil tune about the Spanish Inquisition)… heck, they even visit (the real) Stonehenge. But dig deeper and you'll find some real heart in this 2007 documentary. Two hearts, actually--the ones belonging to singer-guitarist Steve "Lips" Kudlow and drummer Robb Reiner (remove one "b" and you've got the director of This Is Spinal Tap). These two were there when the Canadian metal band formed in the early '80s and went on to share festival stages with the likes of Bon Jovi and Whitesnake. Now, a quarter century later (a new bassist and guitarist joined in the '90s), Reiner and Kudlow are in their fifties, living in Toronto with wives, kids, and menia! l jobs. But they still haven't given up their undying belief t! hat with a new album (their thirteenth) and couple of breaks, they will be rock stars.

It doesn't happen on a mostly disastrous European tour organized by a well-meaning but inexperienced fan. It doesn't happen when they reunite with British producer Chris Tsangarides (Black Sabbath, Thin Lizzy) but find little interest in the new recording. But Kudlow, despite some bleak moments, is remarkably resilient (of the tour, he says, "Things went drastically wrong. But at least there was a tour for them to go wrong on"). And while it's a sad truth that Anvil just isn't that good--they're nowhere near the level of some of the bands they inspired, like Anthrax and Metallica--only the hardest of heart will resist rooting for them. Bonus material includes deleted scenes and commentary by director (and former roadie) Sacha Gervasi. --Sam GrahamIs Anvil the real Spinal Tap? That's a label that could be applied to any number of hapless hard rock bands, but there's enough evidence! in Anvil: The Story of Anvil to suggest that these guys may have, uh, tapped into the motherlode. The parallels are many, including getting lost on the way to a gig, playing before 174 people in a 10,000 capacity venue (in Transylvania, yet), inept management, ridiculous songs (even Nigel Tufnel and David St. Hubbins couldn't match "Thumb Hang," an Anvil tune about the Spanish Inquisition)… heck, they even visit (the real) Stonehenge. But dig deeper and you'll find some real heart in this 2007 documentary. Two hearts, actually--the ones belonging to singer-guitarist Steve "Lips" Kudlow and drummer Robb Reiner (remove one "b" and you've got the director of This Is Spinal Tap). These two were there when the Canadian metal band formed in the early '80s and went on to share festival stages with the likes of Bon Jovi and Whitesnake. Now, a quarter century later (a new bassist and guitarist joined in the '90s), Reiner and Kudlow are in their fifties, living in To! ronto with wives, kids, and menial jobs. But they still haven'! t given up their undying belief that with a new album (their thirteenth) and couple of breaks, they will be rock stars.

It doesn't happen on a mostly disastrous European tour organized by a well-meaning but inexperienced fan. It doesn't happen when they reunite with British producer Chris Tsangarides (Black Sabbath, Thin Lizzy) but find little interest in the new recording. But Kudlow, despite some bleak moments, is remarkably resilient (of the tour, he says, "Things went drastically wrong. But at least there was a tour for them to go wrong on"). And while it's a sad truth that Anvil just isn't that good--they're nowhere near the level of some of the bands they inspired, like Anthrax and Metallica--only the hardest of heart will resist rooting for them. Bonus material includes deleted scenes and commentary by director (and former roadie) Sacha Gervasi. --Sam GrahamIn the early seventies, when Led Zeppelin and Black Sabbath ruled the world, Steve “Lips” Kudlow an! d Robb Reiner, two young Jewish boys from the northern suburbs of Toronto, vowed to rock together forever. A decade later, their band Anvil released one of the heaviest records in music history, Metal on Metal, which influenced a whole musical generation, including the world-dominating bands Metallica, Slayer, and Anthrax. Yet while these bands went on to sell millions of records, Anvil slipped straight into obscurity.

Was it too much sex and drugs and not enough rock ‘n’ roll? Was it the menagerie of pets that accompanied them on tour? Their uncanny knack for setting themselves on fire whenever a record company executive was watching? Now, almost thirty years later, like a real-life Spinal Tap, these unlikely musical heroes are still rocking, and still chasing their dream. Written in their own words, Anvil: The Story of Anvil charts the rise, fall, and eventual triumph of two men whose indestructible friendship, talent, and determination took them on a unique journ! ey in the world of rock. A bittersweet and frequently hilariou! s hymn t o the human spirit, played loud in power chords, it is a story of true brotherly love, living the dream, and never giving up.

Praise for the film documentary Anvil: The Story of Anvil:The alien Arcadians always want to fly, not to run. But whatever else she might like to call it, Maeve Cavainna is running. She is chased closely by the infamous bounty hunter, Logan Coldhand, who intends to drag her back to Axis to collect the high price on her head.

When he finally corners Maeve, the long chase seems to be over... until a frightened girl stumbles into the middle of their fight and begs for their protection. Maeve and Logan call a reluctant end to their battle and promise to help the girl, but they have agreed to far more than they know. Can the fragile peace between hunter and mark hold long enough to save the lives that depend on them?The alien Arcadians always want to fly, not to run. But whatever else she might like to call it, Maeve Cavainna is running. Sh! e is chased closely by the infamous bounty hunter, Logan Coldhand, who intends to drag her back to Axis to collect the high price on her head.

When he finally corners Maeve, the long chase seems to be over... until a frightened girl stumbles into the middle of their fight and begs for their protection. Maeve and Logan call a reluctant end to their battle and promise to help the girl, but they have agreed to far more than they know. Can the fragile peace between hunter and mark hold long enough to save the lives that depend on them?Poster to advertise and Anvil Concert in Seattle. One of 300 printed to advertise the show.

Kurgo Backseat Pet Barrier for Small Cars and SUVs

• Protects passengers and cargo from roaming dogs
• Keeps pets from launching forward during quick stops
• Universal fit for most vehicles from compact to SUV (does no accommodate 2 door cars or minivans)
• Simple installation and removal for quick setup

Dogs moving around freely in cars are a safety hazard to themselves, the driver, and the passengers. The Backseat Barrier keeps everyone safe by creating a strong wall between the front and back seats of the car. This wall keeps the dog safely in the backseat when the car stops quickly and restricts excited pups from moving between the front and back seats of the vehicle. The Backseat Barrier also has an extra partition, which separates passengers from dogs in the backseat. Great for long trips, or just around town.

Dark City (Director's Cut) [Blu-ray]

• The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a gri

Director Jan Sverák's Dark Blue World embraces sentimentality with such brio it is hard to resist. The film relays the little-known WWII story of Czech fighter pilots who escaped the Nazi occupation of their country to fight in Britain's Royal Air Force. Those who survived the battles were placed in work camps upon their return home by a then-entrenched, paranoid Communist regime. Sverák (Kolya) tacks back and forth between Franta (Ondrej Vetchy), a worldly captain in the defunct Cze! ch Air Force, and Karel (Krystof Hádek), his earnest young recruit, as they leave home to fight the enemy on foreign soil. Only one returns to tell his story, from a prison hospital bed. While enduring life in the RAF with fellow Czech pilots, Franta and Karel manage to fall in love with the same woman, learn English, swing dance, recite poems, sing rousing Czech songs, and perform heroic feats. Dogfights in the air and inevitable losses ensue, but it is the genuine camaraderie evoked by a gifted cast of Czech actors that saves the film from effusive excess. Like a charismatic captain steeling his company before battle, Sverák can't resist indulging romantic clichés, but his actors, in their fresh intensity, are more than up to the task set before them. --Fionn MeadeUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Czech ( Dolby Digital 5.1 ), Englis! h ( Dolby Digital 5.1 ), German ( Dolby Digital 5.1 ), English! ( Subti tles ), ANAMORPHIC WIDESCREEN (2.35:1), SPECIAL FEATURES: Anamorphic Widescreen, Commentary, Documentary, Featurette, Interactive Menu, Making Of, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: ***ATTENTION***Audio is a mix of Czech, English & German languages***Subtitles - English language*** The most durable war films tend to have a personal dimension, and Dark Blue World is no exception. This simple but affecting story of Czech air pilots serving in the RAF during the Second World War is sensitively directed by Jan Sverak from a script by his father Zdenek, whose Kolya was an unexpected but deserved hit with UK audiences. Dark Blue World focuses on the relationship between Frantisek Slama (played with quiet authority by Ondrej Vetchy) and his protégé Karel Vojtisek (a fresh-faced Krystof Hadek). Escaping Czechoslovakia during the Nazi invasion of 1939, they enlist in the RAF, where the father/son relationship is threatened by their mutual attraction to the apparentl! y widowed Susan (Tara Fitzgerald, thoughtfully understated). The film's culmination sees them reconciled in moving circumstances, and the perspective is widened by scenes set in 1950: Slama, as with most Czech soldiers who fought with the Allies, having been sentenced to hard labour by the Communist authorities as a potential security threat. His decent treatment by a German doctor, as opposed to the brutality of the Czech guards, points up the tragic irony of those who fought for freedom, only to finish up on the "wrong" side of the Iron Curtain. Sverak maintains a persuasive balance between action sequ...Dark Blue World ( Tmavomodrý svet ) ( Leidenschaft in dunklen Tagen )Director Jan Sverák's Dark Blue World embraces sentimentality with such brio it is hard to resist. The film relays the little-known WWII story of Czech fighter pilots who escaped the Nazi occupation of their country to fight in Britain's Royal Air Force. Those who survived the battles were place! d in work camps upon their return home by a then-entrenched, p! aranoid Communist regime. Sverák (Kolya) tacks back and forth between Franta (Ondrej Vetchy), a worldly captain in the defunct Czech Air Force, and Karel (Krystof Hádek), his earnest young recruit, as they leave home to fight the enemy on foreign soil. Only one returns to tell his story, from a prison hospital bed. While enduring life in the RAF with fellow Czech pilots, Franta and Karel manage to fall in love with the same woman, learn English, swing dance, recite poems, sing rousing Czech songs, and perform heroic feats. Dogfights in the air and inevitable losses ensue, but it is the genuine camaraderie evoked by a gifted cast of Czech actors that saves the film from effusive excess. Like a charismatic captain steeling his company before battle, Sverák can't resist indulging romantic clichés, but his actors, in their fresh intensity, are more than up to the task set before them. --Fionn MeadeDirector Jan Sverák's Dark Blue World embraces sentimentality wi! th such brio it is hard to resist. The film relays the little-known WWII story of Czech fighter pilots who escaped the Nazi occupation of their country to fight in Britain's Royal Air Force. Those who survived the battles were placed in work camps upon their return home by a then-entrenched, paranoid Communist regime. Sverák (Kolya) tacks back and forth between Franta (Ondrej Vetchy), a worldly captain in the defunct Czech Air Force, and Karel (Krystof Hádek), his earnest young recruit, as they leave home to fight the enemy on foreign soil. Only one returns to tell his story, from a prison hospital bed. While enduring life in the RAF with fellow Czech pilots, Franta and Karel manage to fall in love with the same woman, learn English, swing dance, recite poems, sing rousing Czech songs, and perform heroic feats. Dogfights in the air and inevitable losses ensue, but it is the genuine camaraderie evoked by a gifted cast of Czech actors that saves the film from effusiv! e excess. Like a charismatic captain steeling his company befo! re battl e, Sverák can't resist indulging romantic clichés, but his actors, in their fresh intensity, are more than up to the task set before them. --Fionn MeadeMarch 15, 1939: Germany invades Czechoslovakia. Czech pilots flee to England, joining the RAF. After the war, back home, they are put in labor camps, suspected of anti-Communist ideas. This film cuts between a post-war camp where Franta is a prisoner and England during the war, where Franta is like a big brother to Karel, a very young pilot. On maneuvers, Karel crash lands by the rural home of Susan, an English woman whose husband is MIA. She spends one night with Karel, and he thinks he's found the love of his life. It's complicated by Susan's attraction to Franta. How will the three handle innocence, Eros, friendship, and the heat of battle? When war ends, what then?The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced pic! ture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a grisly murder, he soon finds himself hunted by the police, a woman claiming to be his wife and a mysterious group of pale men who seem to control everything and everyone in the city. Starring Rufus Sewell (The Illusionist), Jennifer Connelly (A Beautiful Mind), William Hurt (A History of Violence) and Kiefer Sutherland (TVs 24).If you're a fan of brooding comic-book antiheroes, got a nihilistic jolt from The Crow (1994), and share director Alex Proyas's highly developed preoccupation for style over substance, you might be tempted to call Dark City an instant classic of visual imagination. It's one of those films that exists in a world purely of its own making, setting its own rules and playing by them fairly, so tha! t even its derivative elements (and there are quite a few) ac! quire th eir own specific uniqueness. Before long, however, the film becomes interesting only as a triumph of production design. And while that's certainly enough to grab your attention (Blade Runner is considered a classic, after all), it's painfully clear that Dark City has precious little heart and soul. One-dimensional characters are no match for the film's abundance of retro-futuristic style, so it's best to admire the latter on its own splendidly cinematic terms. Trivia buffs will be interested to know that the film's 50-plus sets (partially inspired by German expressionism) were built at the Fox Film Studios in Sydney, Australia, home base of director Alex Proyas and producer Andrew Mason. The underground world depicted in the film required the largest indoor set ever built in Australia. --Jeff Shannon

Hard Rain: A Thriller (Vin Cooper)

• ISBN13: 9780553590029
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In his critically acclaimed Rain Fall, Barry Eisler introduced half Japanese-half American freelance hit man John Rain, a "dashing and dangerous hero...as likable as he is lethal."* Now Eisler's back. So is Rain, the master of death by "natural causes" whose new target threatens the fragile political balance of an entire country.Barry Eisler's half-breed freelance assassin John Rain returns to Tokyo for a second outing in Hard Rain, the sequel to Eisler's stunning 2002 debut, Rain Fall. Once again Rain is working with, or at least parallel to, Tatsu, a wily veteran of Japan's FBI equivalent, who aims to cleanse the Japanese government of its systemic corruption. To further this goa! l, he's persuaded the ever-cautious Rain to take out Murakami, a brutal gangster and hitman who specializes in making his killings look like suicide, a specialty Rain thought was his alone. Liquidating the dangerous and elusive Murakami proves to be a difficult task, however, one that leads to personal loss for Rain, and sets the plot on course for a climax that hits with the power of a well-delivered roundhouse kick.

Eisler builds on Rain's self-enforced isolation and loneliness as he expertly shows the reader Tokyo as channeled by Chandler, transforming the burgeoning metropolis into a noir catacomb of dimly lit hostess bars, scheming bureaucrats, shadowy intelligence agents, and outlaw martial arts dojos where thugged-up yakuza train for illicit death matches.

While the plot becomes complicated toward the novel's conclusion, Rain is a refreshing and complex character whom readers will want to see return for another installment. If you've a yen f! or a thriller that mixes suspense, intrigue, and action with a! Japanes e flavor and a hardboiled American attitude, Eisler's Hard Rain is an excellent choice. --Benjamin ReeseThe setting is the flood-ravaged, evacuated town of Huntingburg, where Tom (Slater), an armored car driver, is in deep danger. A gang of thieves (led by Freeman) figures the flood is their chance to heist the money Tom is transporting from local banks. But there’s one thing the gun-carrying criminals didn’t count on â€" Tom. Come hell or high water, he’s determined to deliver the money entrusted to him. But before he does, he’ll have to survive a relentless pursuit filled with close calls, floods, uncertain loyalties and heart-stopping heroics.It may not be a disaster movie, per se, but this terminally silly thriller is certainly disastrous, and would be pointless without the novelty of its setting in a flooding Midwestern town during a torrential rainfall. Physically impressive but idiotic in every other respect, the movie pits an armored truck couri! er (Christian Slater) against a smart leader of thieves (Morgan Freeman) and a corruptible town sheriff (Randy Quaid) who are vying for possession of $3 million in cash. A waterlogged game of cat and mouse, the plot is so contrived that even the most impressive action sequences--such as a jet-ski chase through flooded high-school corridors--are robbed of their already tenuous credibility. Before long you'll be yawning as incompetent accomplices are systematically dispatched by their own stupidity, in the kind of movie where the use of power boats inevitably leads to at least one death by outboard motor. What's impressive here is the physical production itself--the effect of flooding was created by building a huge replica of downtown Huntington, Indiana, in a huge, watertight aircraft hangar in Palmdale, California! --Jeff Shannon In his critically acclaimed Rain Fall, Barry Eisler introduced half Japanese-half American freelance hit man John Rain, a "dashing a! nd dangerous hero...as likable as he is lethal."* Now Eisler's! back. S o is Rain, the master of death by "natural causes" whose new target threatens the fragile political balance of an entire country.Barry Eisler's half-breed freelance assassin John Rain returns to Tokyo for a second outing in Hard Rain, the sequel to Eisler's stunning 2002 debut, Rain Fall. Once again Rain is working with, or at least parallel to, Tatsu, a wily veteran of Japan's FBI equivalent, who aims to cleanse the Japanese government of its systemic corruption. To further this goal, he's persuaded the ever-cautious Rain to take out Murakami, a brutal gangster and hitman who specializes in making his killings look like suicide, a specialty Rain thought was his alone. Liquidating the dangerous and elusive Murakami proves to be a difficult task, however, one that leads to personal loss for Rain, and sets the plot on course for a climax that hits with the power of a well-delivered roundhouse kick.

Eisler builds on Rain's self-enforced isolation and lonelin! ess as he expertly shows the reader Tokyo as channeled by Chandler, transforming the burgeoning metropolis into a noir catacomb of dimly lit hostess bars, scheming bureaucrats, shadowy intelligence agents, and outlaw martial arts dojos where thugged-up yakuza train for illicit death matches.

While the plot becomes complicated toward the novel's conclusion, Rain is a refreshing and complex character whom readers will want to see return for another installment. If you've a yen for a thriller that mixes suspense, intrigue, and action with a Japanese flavor and a hardboiled American attitude, Eisler's Hard Rain is an excellent choice. --Benjamin ReeseIn his critically acclaimed Rain Fall, Barry Eisler introduced half Japanese-half American freelance hit man John Rain, a "dashing and dangerous hero...as likable as he is lethal."* Now Eisler's back. So is Rain, the master of death by "natural causes" whose new target threatens the fragile ! political balance of an entire country.A powerhouse cast churn! s up the action in this thrill-drenched story of an armored car driver battling armed crooks and the rampaging waters of a killer flood. Studio: Paramount Home Video Release Date: 04/11/2006 Starring: Morgan Freeman Randy Quaid Run time: 96 minutes Rating: R Director: Mikael SalomonIt may not be a disaster movie, per se, but this terminally silly thriller is certainly disastrous, and would be pointless without the novelty of its setting in a flooding Midwestern town during a torrential rainfall. Physically impressive but idiotic in every other respect, the movie pits an armored truck courier (Christian Slater) against a smart leader of thieves (Morgan Freeman) and a corruptible town sheriff (Randy Quaid) who are vying for possession of $3 million in cash. A waterlogged game of cat and mouse, the plot is so contrived that even the most impressive action sequences--such as a jet-ski chase through flooded high-school corridors--are robbed of their already tenuous credibility. Bef! ore long you'll be yawning as incompetent accomplices are systematically dispatched by their own stupidity, in the kind of movie where the use of power boats inevitably leads to at least one death by outboard motor. What's impressive here is the physical production itself--the effect of flooding was created by building a huge replica of downtown Huntington, Indiana, in a huge, watertight aircraft hangar in Palmdale, California! --Jeff Shannon Twelve bones are missing.
 
When a U.S. colonel is found murdered in his Istanbul home, the grisliest detail is the one that links his murder to another that soon follows. To Special Agent Vin Cooper, it looks like there’s a serial killer at large in Turkey.
But looks can be deceiving.

Onetime lovers, now the uneasiest of partners, Vin Cooper and Special Agent Anna Masters follow a trail of clues from Istanbul to Iraq and beyond. The victims were not selected at random. What looked like ritual was rife with cl! ues. As evidence of a conspiracy snakes up the chain of comman! d, these two seasoned special agents must dodge bullets, defuse bombs, and avoid being buried alive in their desperate effort to short-circuit a plan for world domination more audacious than they could ever have imagined.

Tiffen 58mm UV Protection Filter

• Most popular protection filter
• Provides basic reduction of ultraviolet light
• 58mm diameter
• Helps eliminate bluish cast in images

With more than 3 million copies sold, the #1 New York Times bestseller is now available in a special gift edition.

A modern classic, The Help has been a cultural touchstone for the millions of readers who have cheered on Skeeter, laughed with Minny, and hissed at Hilly. The noble and strong Aibileen has become a heroine for countless fans whose letters have poured in from all over the world. Now the bestselling and beloved book is available in a deluxe gift edition.

The Help has been on bestseller lists for longer than any other hardcover fiction title since The Da Vinci Code. It was USA Today's 2009 Book of the Year and has been published in thirty-seven countries around the world.!

The movie The Help, produced by DreamWorks and 1492 Pictures, is scheduled for a major motion-picture release in August 2011.

This beautiful edition, destined to be passed down from generation to generation, is filled with special features, including:
-satin ribbon marker
-printed endpapers
-cloth bound
-two-color interior printing

This deluxe gift edition is the perfect gift for someone you love-or as a special treat for yourself.

The wildly popular New York Times bestseller and reading group favorite.

Aibileen is a black maid in 1962 Jackson, Mississippi, who's always taken orders quietly, but lately she's unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She's full of ambition, but without a husband, she's considered a failure. Together, t! hese seemingly different women join together to write a tell-a! ll book about work as a black maid in the South, that could forever alter their destinies and the life of a small town...The wildly popular New York Times bestseller and reading group favorite.

Aibileen is a black maid in 1962 Jackson, Mississippi, who's always taken orders quietly, but lately she's unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She's full of ambition, but without a husband, she's considered a failure. Together, these seemingly different women join together to write a tell-all book about work as a black maid in the South, that could forever alter their destinies and the life of a small town...The #1 New York Times bestseller by Kathryn Stockett comes to vivid life through the powerful performances of a phenomenal ensemble cast. Led by Emma Stone, Academy Award®-nominated Viola Davis (! Best Supporting Actress, Doubt, 2008), Octavia Spencer and Bryce Dallas Howard, The Help is an inspirational, courageous and empowering story about very different, extraordinary women in the 1960s South who build an unlikely friendship around a secret writing project â€" one that breaks society’s rules and puts them all at risk. Filled with poignancy, humor and hope â€" and complete with compelling, never-before-seen bonus features â€" The Help is a timeless, universal and triumphant story about the ability to create change.There are male viewers who will enjoy The Help, but Mississippi native Tate Taylor aims his adaptation squarely at the female readers who made Kathryn Stockett's novel a bestseller. If the multi-character narrative revolves around race relations in the Kennedy-era South, the perspective belongs to the women. Veteran maid Aibileen (Doubt's Viola Davis in an Oscar-worthy performance) provides the heartfelt narration that brackets the story.! A widow devastated by the death of her son, she takes pride i! n the 17 children she has helped to raise, but she's hardly fulfilled. That changes when Skeeter (Easy A's Emma Stone) returns home after college. Unlike her peers, Skeeter wants to work, so she gets a job as a newspaper columnist. But she really longs to write about Jackson's domestics, so she meets with Aibileen in secret--after much cajoling and the promise of anonymity. When Aibileen's smart-mouthed friend Minny (breakout star Octavia Spencer) breaches her uptight employer's protocol, Hilly (Bryce Dallas Howard) gives her the boot, and she ends up in the employ of local outcast Celia (Jessica Chastain, hilarious and heartbreaking), who can't catch a break due to her dirt-poor origins. After the murder of Medgar Evers, even more maids, Minny among them, bring their stories to Skeeter, leading to a book that scandalizes the town--in a good way. Not since Steel Magnolias has Hollywood produced a Southern woman's picture more likely to produce buckets of tears (and alm! ost as many laughs). --Kathleen C. FennessyProtects your camera or camcorder lens against dust, moisture, fingerprints, scratches and damage. This filter can be kept on your camera at all times. Most popular protection filters, Provides basic reduction of UV light. Available for Wide AngleProtects lenses from dust, moisture, scratches, and other damage. This filter can be kept on the camera at all times.