Chloe New for Women. Eau De Parfum Spray 2.5-Ounces

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Capturing the spirit of women, the Chloe vision is not about one singular woman, but rather about the rich and varied personalities of all Chloe women. This fresh, smooth floral fragrance evokes sublime powdery rose. The effect is chic, comfortable, and entirely addictive.Top notes of pink peony, freesia, and lychee embody subtle freshness. At the heart, midnotes of magnolia flower, lily of the valley, and rose rise to sublimated femininity. A base of velvety elegance comes to fruition through cedarwood, amber, and honey.Inspired by the details in Chloe's fashion, the flacon's heavy but softly curved and grooved glass reflects femininity and strength. The plated-silver top is embossed with the Chloe mark and adorned with a hand-tied ribbon.Notes:Pink Peony, Freesia, Lych! ee, Magnolia Flower, Lilly of the Valley, Rose, Cedarwood, Amber, Honey.

Friday the 13th Part 8 Movie (Jason Takes Manhattan) Poster Print - 24x36

• decorate your walls with this brand new poster
• easy to frame and makes a great gift too
• ships quickly and safely in a sturdy protective tube
• measures 24.00 by 36.00 inches (60.96 by 91.44 cms)

After an electrifying return from the bottom of his Crystal Lake grave, indestructible psycho-slasher Jason Voorhees ships out to visit the Big Apple and paints the town red! High school senior Rennie Wickham is in for the ride of her life - and possibly her death - when she and her classmates take a graduation cruise bound for New York City. Little do they know that crazed serial killer Jason is a stowaway who quickly transforms the teen-filled "love boat" celebration into the ultimate voyage of the damned! Only a few survivors reach New York, where the bloody rampage spills into the gritty streets and subways of Manhattan in a deadly game of hide-and-seek - leading to a toxic c! onfrontation with Jason for one last, final time.

SPECIAL FEATURES:
Killer Commentary By Actors Scott Reeves, Jensen Daggett And Kane Hodder
New York Has A New Problem - The Making Of Friday the 13th Part VIII: Jason Takes Manhattan
Slashed Scenes
Gag ReelStart spreadin' the news... Jason Voorhees, the cleaver-hoisting man in the hockey mask, has finally left Crystal Lake behind and taken his vagabond shoes to the Big Apple. Actually, Jason spends most of his time on a cruise ship bound for Manhattan, carving up the unluckiest high school graduation party ever. You'd think the change of scenery might breathe new life, or death, into the series, but chapter 8 is standard stalk 'em and slash 'em fare, albeit with a nautical slant. The title hints at a comic tone, but except for the one-joke idea that Jason fits right into the menacing urban scene, forget it. (The comedy would wait until the surprisingly entertaining Jason X.) This on! e does have a pretty leading lady, Jensen Daggett, whose visio! ns of th e young drowned Jason are occasionally creepy. The grown-up Jason, like "these little-town blues," is melting away. --Robert HortonStart spreadin' the news... Jason Voorhees, the cleaver-hoisting man in the hockey mask, has finally left Crystal Lake behind and taken his vagabond shoes to the Big Apple. Actually, Jason spends most of his time on a cruise ship bound for Manhattan, carving up the unluckiest high school graduation party ever. You'd think the change of scenery might breathe new life, or death, into the series, but chapter 8 is standard stalk 'em and slash 'em fare, albeit with a nautical slant. The title hints at a comic tone, but except for the one-joke idea that Jason fits right into the menacing urban scene, forget it. (The comedy would wait until the surprisingly entertaining Jason X.) This one does have a pretty leading lady, Jensen Daggett, whose visions of the young drowned Jason are occasionally creepy. The grown-up Jason, like "these little! -town blues," is melting away. --Robert HortonOriginal Scores from the Motion Pictures: Friday The 13th, Part VII & VIII by Fred Molin

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Friday the 13th Part 8 Movie (Jason Takes Manhattan) Poster Print - 24x36

Friday the 13th, Part VI: Jason Lives (Deluxe Edition)

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; NTSC; Subtitled; Widescreen

Jason rises from the grave to wreak havoc upon a new group of unsuspecting campers in the ultra-bloody rampage Friday The 13th: Part VI: Jason Lives - Deluxe Edition. As a child, Tommy Jarvis killed mass-murderer Jason Voorhees. But now, years later, he is tormented by the fear that maybe Jason isn't really dead. Determined to finish off the infamous killer once and for all, Tommy and a friend dig up Jason's corpse in order to cremate him. Unfortunately, things go seriously awry, and Jason is instead resurrected, sparking a new chain of ruthlessly brutal murders. Now it's up to Tommy to stop the dark, devious and demented deaths that he unwittingly brought about in this terrifying horror film that will take you to the grave and back!

Good

• GOOD (DVD MOVIE)

When John Halder’s (Viggo Mortensen) latest novel is enlisted by powerful political figures in the Nazi party to push their agenda, his career and social standing instantly advance. But after learning of the Reich’s horrific plans for the future and the devastating effects they will have on people close to him, John must decide whether or not to take a stand and risk losing everything.

The Hurt Locker

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; NTSC; Subtitled; Widescreen

War is a drug. Nobody knows that better than Staff Sergeant James, head of an elite squad of soldiers tasked with disarming bombs in the heat of combat. To do this nerve-shredding job, it’s not enough to be the best: you have to thrive in a zone where the margin of error is zero, think as diabolically as a bomb-maker, and somehow survive with your body and soul intact. Powerfully realistic, action-packed, unrelenting and intense, The Hurt Locker has been hailed by critics as “an adrenaline-soaked tour de force” (A.O. Scott, The New York Times) and “one of the great war movies.” (Richard Corliss, Time)The making of honest action movies has become so rare that Kathryn Bigelow's magnificent The Hurt Locker was shown mostly in ! art cinemas rather than multiplexes. That's fine; the picture is a work of art. But it also delivers more kinetic excitement, more breath-bating suspense, more putting-you-right-there in the danger zone than all the brain-dead, visually incoherent wrecking derbies hogging mall screens. Partly it's a matter of subject. The movie focuses on an Explosive Ordnance Disposal team, the guys whose more or less daily job is to disarm the homemade bombs that have accounted for most U.S. casualties in Iraq. But even more, the film's extraordinary tension derives from the precision and intelligence of Bigelow's direction. She gets every sweaty detail and tactical nuance in the close-up confrontation of man and bomb, while keeping us alert to the volatile wraparound reality of an ineluctably foreign environment--hot streets and blank-walled buildings full of onlookers, some merely curious and some hostile, perhaps thumbing a cellphone that could become a trigger. This is exemplary movie! making. You don't need CGI, just a human eye, and the imaginat! ion to r ealize that, say, the sight of dust and scale popped off a derelict car by an explosion half a block away delivers more shock value than a pixelated fireball.

The setting may be Iraq in 2004, but it could just as well be Thermopylae; The Hurt Locker is no "Iraq War movie." Bigelow and screenwriter Mark Boal--who did time as a journalist embed with an EOD unit--align themselves with neither supporters nor opponents of the U.S. involvement. There's no politics here. War is just the job the characters in the movie do. One in particular, the supremely resourceful staff sergeant played by Jeremy Renner, is addicted to the almost nonstop adrenaline rush and the opportunity to express his esoteric, life-on-the-edge genius. The hurt locker of the title is a box he keeps under his bunk, filled with bomb parts and other signatory memorabilia of "things that could have killed me." That none of it has killed him so far is no real consolation. In this movie, you never know who'! s going to go and when; even high-profile talent (we won't name names here) is no guarantee. But one thing can be guaranteed, and that is that almost every sequence in the movie becomes a riveting, often fiercely enigmatic set piece. This is Kathryn Bigelow's best film since 1987's Near Dark. It could also be the best film of 2009. --Richard T. Jameson