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And Another Thing... (The Hitchhiker's Guide to the Galaxy)

• ISBN13: 9781401310301
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

At last in paperback in one complete volume, here are the five classic novels from Douglas Adams’s beloved Hitchiker series.

The Hitchhiker’s Guide to the Galaxy
Seconds before the Earth is demolished for a galactic freeway, Arthur Dent is saved by Ford Prefect, a researcher for the revised Guide. Together they stick out their thumbs to the stars and begin a wild journey through time and space.

The Restaurant at the End of the Universe
Facing annihilation at the hands of warmongers is a curious time to crave tea. It could only happen to the cosmically displaced Arthur Dent and his comrades as they hurtle across the galaxy in a desperate ! search for a place to eat.

Life, the Universe and Everything
The unhappy inhabitants of planet Krikkit are sick of looking at the night skyâ€" so they plan to destroy it. The universe, that is. Now only five individuals can avert Armageddon: mild-mannered Arthur Dent and his stalwart crew.

So Long, and Thanks for All the Fish
Back on Earth, Arthur Dent is ready to believe that the past eight years were all just a figment of his stressed-out imagination. But a gift-wrapped fishbowl with a cryptic inscription conspires to thrust him back to reality. So to speak.

Mostly Harmless
Just when Arthur Dent makes the terrible mistake of starting to enjoy life, all hell breaks loose. Can he save the Earth from total obliteration? Can he save the Guide from a hostile alien takeover? Can he save his daughter from herself?It's safe to say that The Hitchhiker's Guide to the Galaxy is one of the funniest! science fiction novels ever written. Adams spoofs many core ! science fiction tropes: space travel, aliens, interstellar war--stripping away all sense of wonder and repainting them as commonplace, even silly.

This omnibus edition begins with The Hitchhiker's Guide to the Galaxy, in which Arthur Dent is introduced to the galaxy at large when he is rescued by an alien friend seconds before Earth's destruction. Then in The Restaurant at the End of the Universe, Arthur and his new friends travel to the end of time and discover the true reason for Earth's existence. In Life, the Universe, and Everything, the gang goes on a mission to save the entire universe. So Long, and Thanks for All the Fish recounts how Arthur finds true love and "God's Final Message to His Creation." Finally, Mostly Harmless is the story of Arthur's continuing search for home, in which he instead encounters his estranged daughter, who is on her own quest. There's also a bonus short story, "Young Zaphod Plays It Safe," m! ore of a vignette than a full story, which wraps up this completist's package of the Don't Panic chronicles. As the series progresses, its wackier elements diminish, but the satire of human life and foibles is ever present. --Brooks PeckPacked with an Astounding Amount of New and Never-Before-Collected Material.

Why are people born? Why do they die? Why do they want to spend so much of the intervening time wearing digital watches?

No one but Douglas Adams could have pared life’s meaning down to these three questions, and they remain as inspired and head-scratchingly clever today as they did twenty-five years ago when they appeared in the first edition of The Hitchhiker’s Guide to the Galaxy. Showcasing his quick wit, comic genius, and wide-ranging intelligence, Hitchhiker’s has become nothing less than a cult classic and cultural phenomenon.

To celebrate its quarter century and the extraordinary legacy of Adams, t! his gorgeously designed, mostly harmless deluxe edition gather! s never- before-collected photographs, original artwork, memorabilia (from the strange to the sublime), and wisdom gleaned from a first read or first encounter as Douglas’s friends remember how the galaxy was forever changed a mere twenty-five years ago (not to mention the original text of the novel) into a one-of-a-kind Guide as stunning as two suns setting over Magrathea.

Whether you are well versed in the antics of Arthur Dent, a mild-mannered Earthman plucked from his planet seconds before it’s demolished to make way for a galactic freeway, and Ford Prefect, a researcher for the revised edition of The Hitchhiker’s Guide to the Galaxy posing as an out-of-work actor, or are hitching a ride for the first time, this is the book that has everything you’ll nee to know about anything.So please do not be alarmed. Definitely don’t panic. Just be sure to grab a towel.Join Douglas Adams's hapless hero Arthur Dent as he travels the galaxy with his intrepid pal Ford! Prefect, getting into horrible messes and generally wreaking hilarious havoc. Dent is grabbed from Earth moments before a cosmic construction team obliterates the planet to build a freeway. You'll never read funnier science fiction; Adams is a master of intelligent satire, barbed wit, and comedic dialogue. The Hitchhiker's Guide is rich in comedic detail and thought-provoking situations and stands up to multiple reads. Required reading for science fiction fans, this book (and its follow-ups) is also sure to please fans of Monty Python, Terry Pratchett's Discworld series, and British sitcoms.Climb aboard for wacky, irreverent fun with The Hitchhiker’s Guide To The Galaxy on Blu-ray’s high definition disc. Based on Douglas Adams’ best-selling novel, this "fascinating, funny and relentlessly awe-inspiring" (UPN-TV) movie soars to cosmic heights in this stellar new format. Seconds before Earth is destroyed, mild-mannered Arthur Dent is whisked into ! space by a friendly alien in human form to search for answers ! to the m ystery of life, the universe and everything. Experience thrilling special effects and intergalactic misadventures in astonishing 1080p, and feel the impact of every supernova with 5.1 48 kHz, 16-bit uncompressed audio. It’s a wild, out-of-this-world ride with Blu-ray™ High Definition.

Don't panic! After twenty years stuck in development (a mere blink compared to how long it takes to find the answer to life, the universe, and everything), The Hitchhiker's Guide to the Galaxy has finally been turned into a movie. Following the radio play, TV series, commemorative towel, and books, this latest installment in the sci-fi-comedy franchise is based on the screenplay and detailed notes by Douglas Adams.

Hitching a ride.

For those unfamiliar! with the story, everyman Arthur Dent (Martin Freeman) wakes up one morning to discover that his house is set to be demolished to make room for a bypass. Little does he know the entire planet Earth is also set to be destroyed for an interplanetary bypass by the Vogons, a hideous and bureaucratic race of aliens realized in the film by Jim Henson's Creature Shop. Whisked off the planet by his best friend, alien-in-disguise Ford Prefect (Mos Def), Dent embarks on a goofy jaunt across the galaxy accompanied by his trusty Hitchhiker's Guide, which looks like a really fancy PDA.

The guide itself provides some of the funniest bits of the movie, little animated shorts that explain the ludicrous life forms and extraterrestrial phenomena our heroes encounter. Along the way Arthur meets the two-headed party animal/president of the galaxy Zaphod Beeblebrox (Sam Rockwell) and develops an unrequited crush on fellow earthling Trillian (Zooey Deschanel). The creatures and sets are ! inspired and answer to the sci-fi fan's primal need to see lot! s and lo ts of cool stuff. In particular, there's John Malkovich's creepy, CGI-enhanced Humma Kavula. He's a guru leading a religion that worships the gigantic nose that allegedly sneezed the universe into existence (naturally all their prayers end not with "Amen" but with "Bless you.") The aliens the team encounters are inspired creations, eminently worthy of action figure-ification, and the sets belie an attention to detail worthy of freeze-framing. Fans of the other Hitchhiker manifestations, namely the British TV series, will be amused by a number of in-jokes sprinkled throughout the movie.

Concept art: The Heart of Gold pod on the planet Vogsphere

Where the story stumbles is in the telling--as books, the Hitchhiker's Guide was foremos! t about goofy and brilliant ideas that raised questions about our place in the universe while getting a laugh. The cast seems at times bewildered, at least when Sam Rockwell isn't picking pieces of scenery out of his teeth, perhaps a natural reaction to an adaptation of a book with no traditional plot. The movie has enough trouble figuring out how to get the characters from one fantastical location to the next that Adams's funniest concepts often feel left in the dust. While the reverence the filmmakers felt toward Adams's legacy is apparent, one wonders what we could have expected had the creator of this science fiction universe lived to see it with his own eyes. -- Ryan Boudinot

A Guide to the Guide

The Soundtrack	The Radio Play (CD)	The TV Series
The Ultimate Hitchhiker's Guide (Deluxe Edition)	The Ultimate Hitchhiker's Guide (Paperback)	The Filming of the Douglas Adams Classic (book)

Interviews with The Cast and Director

Watch our interviews with the cast and director of The Hitchhiker's Guide to the Galaxy and find out what they think of other DVDs and books: high bandwidth low bandwidth

The BBC Radio Full-Cast Dramatization!

Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last fifteen years, has been posing as an out-of-work actor.

Together this dynamic pair begin a journey through space aided by quotes from The Hitchhiker's Guide ("A towel is about the most massively useful thing an interstellar hitchhiker can have") and a galaxy-full of fellow travelers: Zaphod Beeblebrox--the two-headed, three-armed ex-hippie and totally out-to-lunch president of the galaxy; Trillian, Zaphod's girlfr! iend (formally Tricia McMillan), whom Arthur tried to pick up ! at a coc ktail party once upon a time zone; Marvin, a paranoid, brilliant, and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ballpoint pens he bought over the years.

Where are these pens? Why are we born? Why do we die? Why do we spend so much time between wearing digital watches? For all the answers stick your thumb to the stars. And don't forget to bring a towel!

Presented Fully Dramatized on 3 CDs.Eoin Colfer, author of the acclaimed Artemis Fowl series, has written a brilliant and hilarious sequel to The Hitchhiker's Guide to the Galaxy.

Arthur Dent has finally made it home to Earth, but that does not mean that he has escaped his fate. Arthur's chances of getting his hands on a decent cup of tea have evaporated rapidly, along with all the world's oceans. For no sooner has he touched down on the planet Earth than he finds out that it is about to be blown up . . . again.

And! Another Thing . . . features a pantheon of unemployed gods, everyone's favorite renegade Galactic President, a lovestruck green alien, an irritating computer, and at least one very large slab of cheese.

The Affair of the Necklace

• A romantic drama based on the controversial true story of Jeanne De La Motte Valois, a countess whose name was stripped from her by the Royal Family during the late 18th Century. The story of her fight to restore her name and proper place in society is filled with mystery, intrigue and desire, with an infamous diamond necklace at the center of it all.Running Time: 118 min. Format: DVD MOVIE G

The Necklace Affair
by Ashley Gardner
A Captain Lacey Regency Mysteries novella

London 1817
Captain Lacey agrees to track down the missing necklace of a society matron and prove the innocence of her maid, who has been arrested for the theft. Lady Clifford declares that the rival for her husband's affections has stolen the necklace, but Lacey soon realizes that the problem is not so simple. He recruits Lady Breckenridge to infiltrate the Clifford household, while Lacey and his fr! iend Lucius Grenville follow other leads. The investigation digs up scandal and past secrets, and Lacey finds himself competing with the underworld criminal, James Denis, for the necklace's retrieval.

This is a 25,000-word (ten-chapter) novella. The events in it occur between the end of The Sudbury School Murders and the beginning of A Body in Berkeley Square.
The Necklace Affair
by Ashley Gardner
A Captain Lacey Regency Mysteries novella

London 1817
Captain Lacey agrees to track down the missing necklace of a society matron and prove the innocence of her maid, who has been arrested for the theft. Lady Clifford declares that the rival for her husband's affections has stolen the necklace, but Lacey soon realizes that the problem is not so simple. He recruits Lady Breckenridge to infiltrate the Clifford household, while Lacey and his friend Lucius Grenville follow other leads. The investigation digs up scandal and past secrets, and Lacey finds ! himself competing with the underworld criminal, James Denis, f! or the n ecklace's retrieval.

This is a 25,000-word (ten-chapter) novella. The events in it occur between the end of The Sudbury School Murders and the beginning of A Body in Berkeley Square.
WEALTH AND DESIRE. POLITICS AND CORRUPTION. CELEBRITY AND SEXUALITY. AN 18TH-CENTURY FRENCHWOMAN COMBINES THEM ALL IN A TREACHEROUS SCHEME TO ACQUIRE THE 2800-CARAT DIAMOND NECKLACE THAT WILL ENABLE HER TO BUY BACK THE ROYAL STATUS TAKEN FROMHER.For all its earnest intrigue, historically accurate references, and elaborate set design, The Affair of the Necklace is best enjoyed as a comedy of Hollywood errors. The court of late-18th-century France is ruled by Marie Antoinette (Joely Richardson), whose confidence and favor is yearned for by Jeanne de la Motte-Valois (Hilary Swank), a young woman stripped of her title and orphaned at a young age. As flashbacks repeatedly remind the audience, Jeanne is essentially pure at heart even as she takes up with a court gigolo (Simon Baker) a! nd enacts the intricate scheme from which the title is drawn. Soon embroiled in Jeanne's plan to win back her rightful place in the world are her avaricious husband of convenience, Nicolas (Adrien Brody); the soon-to-be-disposed-of Marie Antoinette; the salacious Cardinal Rohan (Jonathan Pryce); a necklace of questionable taste; and a host of other players. All the makings for a hilarious romp (à la Ridicule) are in place, but director Charles Shyer, with his lavish budget in tow, wants the film to be taken seriously. Only Christopher Walken, in a hilarious turn as the fraudulent soothsayer Count Cagliostro, sees through the facile script and relishes his part in what will no doubt prove a colossal flop. --Fionn Meade

Ancient Mysteries - The Black Death

• What is the Black Death? Where did it come from? Scientists still do not know the origins of this deadly plague. Appearing miraculously in 542 A.D., the devastating outbreak claimed 100 million lives. Winding its way from Egypt, through Asia Minor and into Europe, the devastation lasted 52 years and disappeared as mysteriously as it arrived. Many believed that the plague was sent from God as punis

The year is 1348. Europe has fallen under the shadow of the Black Death. As the plague decimates all in its path, fear and superstition are rife. There are rumors of a village hidden in marshland that the plague cannot reach. There is talk of a necromancer who leads the village and is able to bring the dead back to life. Ulric (Sean Bean), a fearsome knight, is charged by the church to investigate these rumors. Joined by a young monk and a small consort of soldiers, the journey ahead will lead them ! into the heart of darkness where faith is challenged and put to the ultimate test.A potent combination of medieval combat and religious paranoia, Black Death serves as an outstanding example of how a genre film can smuggle in some surprisingly mature themes without missing a kinetic step. Set during the late 14th century, Dario Poloni's script follows a young monk (Eddie Redmayne) struggling with his faith as the bubonic plague runs rampant through Europe. As he contemplates fleeing England for a forbidden romance, he is tasked with leading a team of bishop-appointed mercenaries (led by Sean Bean) on their search for a rumored necromancer in the wilderness. After the group hacks their way through packs of infected marauders and nonbelievers, their search finally leads them to a pastoral town mysteriously free of the disease. When the town's beautiful leader (Carice van Houten) displays what appears to be mystical healing powers, the monk must decide which side God is! truly on. Director Christopher Smith, previously responsible ! for the commendably bent time-travel saga Triangle, creates a fantastically earthy environment for the film's increasingly supernatural possibilities to take hold. Bolstered by Bean's commanding performance, this is a terrifically grim--and occasionally terribly gory--action film that delivers an unsettling sting in its tail. --Andrew WrightThe year is 1348. Europe has fallen under the shadow of the Black Death. As the plague decimates all in its path, fear and superstition are rife. There are rumors of a village hidden in marshland that the plague cannot reach. There is talk of a necromancer who leads the village and is able to bring the dead back to life. Ulric (Sean Bean), a fearsome knight, is charged by the church to investigate these rumors. Joined by a young monk and a small consort of soldiers, the journey ahead will lead them into the heart of darkness where faith is challenged and put to the ultimate test.A potent combination of medieval combat and religious ! paranoia, Black Death serves as an outstanding example of how a genre film can smuggle in some surprisingly mature themes without missing a kinetic step. Set during the late 14th century, Dario Poloni's script follows a young monk (Eddie Redmayne) struggling with his faith as the bubonic plague runs rampant through Europe. As he contemplates fleeing England for a forbidden romance, he is tasked with leading a team of bishop-appointed mercenaries (led by Sean Bean) on their search for a rumored necromancer in the wilderness. After the group hacks their way through packs of infected marauders and nonbelievers, their search finally leads them to a pastoral town mysteriously free of the disease. When the town's beautiful leader (Carice van Houten) displays what appears to be mystical healing powers, the monk must decide which side God is truly on. Director Christopher Smith, previously responsible for the commendably bent time-travel saga Triangle, creates a fanta! stically earthy environment for the film's increasingly supern! atural p ossibilities to take hold. Bolstered by Bean's commanding performance, this is a terrifically grim--and occasionally terribly gory--action film that delivers an unsettling sting in its tail. --Andrew Wright

La moria grandissima began its terrible journey across the European and Asian continents in 1347, leaving unimaginable devastation in its wake. Five years later, twenty-five million people were dead, felled by the scourge that would come to be called the Black Death. The Great Mortality is the extraordinary epic account of the worst natural disaster in European history -- a drama of courage, cowardice, misery, madness, and sacrifice that brilliantly illuminates humankind's darkest days when an old world ended and a new world was born.

A book chronicling one of the worst human disasters in recorded history really has no business being entertaining. But John Kelly's The Great Mortality is a page-turner despite its grim subject matter and g! raphic detail. Credit Kelly's animated prose and uncanny ability to drop his reader smack in the middle of the 14th century, as a heretofore unknown menace stalks Eurasia from "from the China Sea to the sleepy fishing villages of coastal Portugal [producing] suffering and death on a scale that, even after two world wars and twenty-seven million AIDS deaths worldwide, remains astonishing." Take Kelly's vivid description of London in the fall of 1348: "A nighttime walk across Medieval London would probably take only twenty minutes or so, but traversing the daytime city was a different matter.... Imagine a shopping mall where everyone shouts, no one washes, front teeth are uncommon and the shopping music is provided by the slaughterhouse up the road." Yikes, and that's before just about everything with a pulse starts dying and piling up in the streets, reducing the population of Europe by anywhere from a third to 60 percent in a few short years. In addition to taking readers o! n a walking tour through plague-ravaged Europe, Kelly heaps on! the anc illary information and every last bit of it is captivating. We get a thorough breakdown of the three types of plagues that prey on humans; a detailed account of how the plague traveled from nation to nation (initially by boat via flea-infested rats); how floods (and the appalling hygiene of medieval people) made Europe so susceptible to the disease; how the plague triggered a new social hierarchy favoring women and the proletariat but also sparked vicious anti-Semitism; and especially, how the plague forever changed the way people viewed the church. Engrossing, accessible, and brimming with first-hand accounts drawn from the Middle Ages, The Great Mortality illuminates and inspires. History just doesn't get better than that. --Kim HughesWhat is the Black Death? Where did it come from? Scientists still do not know the origins of this deadly plague. Appearing miraculously in 542 A.D., the devastating outbreak claimed 100 million lives. Winding its way from Egypt,! through Asia Minor and into Europe, the devastation lasted 52 years and disappeared as mysteriously as it arrived. Many believed that the plague was sent from God as punishment for the world's sins. How was the cure for the plague finally discovered? Is it still with us today? These are some of the many questions we will explore in this program.

Conversation(s) With Other Women

• There Are Two Sides To Every Love Story At a New York City wedding reception, two guests (Helena Bonham Carter and Aaron Eckhart), seemingly strangers, become entangled in a sexually-charged battle of wits. As the night carries on, the nameless couple's repartee deepens to reveal the passion of their past love affair. Unfolding entirely in split-screen, director Hans Canosa's feature de

At a New York City wedding reception, two guests, seemingly strangers, become entangled in a sexually-charged battle of wits. But as the night carries on in a cigarette smoke haze, the nameless couple's repartee deepens to reveal the passion of their two decades past love affair. Unfolding entirely in split-screen, director Hans Canosa's feature debut is an unconventional and poignant love story.

Deuce Bigalow: Male Gigolo (Little Black Book Edition)

• Schneider is Deuce Bigalow, a bumbling fish tank cleaner. When Antoine, a successful gigolo with a sick fish, has to leave the country for a few weeks, he offers Deuce the opportunity to housesit for him. Predictably, Deuce manages to trash the place and must enlist the aid of pimp TJ (Griffin) to help him pay for the damages. TJ turns him, in a series of absurd preparations, into a prostitute. Th

The hit-making producers of BIG DADDY now deliver DEUCE BIGALOW: MALE GIGOLO -- a hilarious, must-see smash starring the always outrageous Rob Schneider (THE HOT CHICK, THE ANIMAL) in his funniest role yet! A professional fish tank cleaner, Deuce (Schneider) finds himself in desperate need of cash to quickly repair the damage he's done to a client's luxurious Malibu apartment! Then the fun really takes off when Deuce decides the only way out of this jam is to switch to the world's oldest profession ! -- and offer his services to ladies everywhere as a lover for hire! A wild and raunchy comedy that always aims to please -- you won't be able to resist this sidesplitting laugh riot!Saturday Night Live alum and Adam Sandler sidekick Rob Schneider plays the title character of Deuce Bigalow: Male Gigolo, a miserable fish-tank cleaner who stumbles onto a new and different lifestyle when he looks after the fish of a high-priced male prostitute (Oded Fehr from The Mummy). Deuce teams up with a man-pimp (Eddie Griffin), gets harassed by a crazed cop (William Forsythe), and of course falls in love with a cute client (Arija Bareikis). The nonsensical plot is festooned with gags about wet T-shirts, foul-mouthed senior citizens, flatulence, Tourette's syndrome, narcolepsy, and just about everything else you might imagine. More surprising is that, by and large, the movie works. It's a combination of bad taste and goodheartedness, similar to There's Something A! bout Mary, which Deuce Bigalow is clearly emulating! . It's n ot the pat "people should learn to accept themselves for who they are" theme or the formulaic happy ending; it's that the movie understands that sex is not the same thing as happiness or contentment. For all its crassness, Deuce Bigalow actually treats its characters as people, and the result is silly, obnoxious, and enjoyable. --Bret FetzerComedy superstar Rob Schneider is back once more as Deuce Bigalow, the big-hearted male gigolo with the least down below. Fleeing to Europe following a near run-in with the Malibu PD, Deuce finds himself thrust back into the pleasure-for-pay profession when his former pimp (Eddie Griffin) is wrongly accused of murdering Europe's highest-priced man-whores. Working under-the-covers, Deuce seduces a bevy of super-freaky female clients (as well as Dutch supermodel Hanna Verboom) to learn the identity of the real killer in this outrageous laugh-orgy that will have you screaming with delight from start to finish!If the repeated us! e of the phrase "man-whore" is your recipe for hilarity, Deuce Bigalow: European Gigolo is your movie. Rob Schneider (The Hot Chick, The Animal) returns as the hapless male prostitute, in this case lured back into the man-whore lifestyle in order to investigate the killings of European man-whores. His former pimp T.J. (Eddie Griffin, Undercover Brother) has set up shop in Amsterdam, where he finds himself accused of both the man-whore murders and of being a homosexual. From this slender, ridiculous premise springs dozens of gags about flatulence, breasts, and male sexual organs--in fact, the number of phallus stand-ins (noses, swords, man-whore of the year awards) would seem excessive to Aristophanes. And yet, despite all things crass and tawdry, Schneider remains bizarrely innocent, and this movie, like the first one, feels inexplicably sweet. The fundamental ethos of Deuce Bigalow is that everyone, no matter how they look, deserves to be loved.! Such a downright Christian sentiment is rarely packaged in a ! movie fe aturing a cat biting a man's testicles or a woman gushing wine out of her tracheotomy hole, yet that's all part of the ineffable mystery of Deuce Bigalow: European Gigolo. Also featuring Jeroen Krabbe (The 4th Man, The Living Daylights). --Bret FetzerThe hit-making producers of BIG DADDY now deliver DEUCE BIGALOW: MALE GIGOLO: THE LITTLE BLACK BOOK EDITION -- with hilarious, never-before-seen footage starring the outrageous Rob Schneider (THE HOT CHICK, THE ANIMAL) in his breakout role! A professional fish tank cleaner, Deuce (Schneider) finds himself in desperate need of cash to quickly repair the damage he's done to a client's luxurious apartment! The fun really takes off when Deuce decides the only way out of this jam is to switch to the world's oldest profession and offer his services as a lover for hire! Don't miss a new peek inside this sidesplitting laugh riot -- now with new irresistible and irreverent bonus features!Saturday Night Live! alum and Adam Sandler sidekick Rob Schneider plays the title character of Deuce Bigalow: Male Gigolo, a miserable fish-tank cleaner who stumbles onto a new and different lifestyle when he looks after the fish of a high-priced male prostitute (Oded Fehr from The Mummy). Deuce teams up with a man-pimp (Eddie Griffin), gets harassed by a crazed cop (William Forsythe), and of course falls in love with a cute client (Arija Bareikis). The nonsensical plot is festooned with gags about wet T-shirts, foul-mouthed senior citizens, flatulence, Tourette's syndrome, narcolepsy, and just about everything else you might imagine. More surprising is that, by and large, the movie works. It's a combination of bad taste and goodheartedness, similar to There's Something About Mary, which Deuce Bigalow is clearly emulating. It's not the pat "people should learn to accept themselves for who they are" theme or the formulaic happy ending; it's that the movie unders! tands that sex is not the same thing as happiness or contentme! nt. For all its crassness, Deuce Bigalow actually treats its characters as people, and the result is silly, obnoxious, and enjoyable. --Bret Fetzer

Arthur's Family Vacation: An Arthur Adventure (Arthur Adventure Series)

• ISBN13: 9780316109581
• Condition: New
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ARTHUR - DVD MovieWhen you get caught between the moon and New York City (ahem), chances are you'll find yourself taking another look at this hit comedy starring Oscar-nominated Dudley Moore as the charmingly witty, perpetually drunken millionaire Arthur Bach. Arthur falls in love with a waitress (Liza Minnelli) who doesn't care about his money, but unfortunately Arthur's stern father wants him to marry a Waspy prima donna. The young lush turns to his wise and loyal butler (Oscar-winner John Gielgud) for assistance and advice. Arthur was a huge hit when released in 1981, as was its Oscar-winning theme song by Christopher Cross. Few remember that the movie was, sadly, the only one ever made by ! writer-director Steve Gordon, who died less than a year after the film's release. Consistently funny and heartwarming, Arthur was hailed as a tribute to the great romantic comedies of the 1930s. --Jeff ShannonRussell Brand reinvents the role of lovable billionaire Arthur Bach, an irresponsible charmer who has always relied on two things to get by: his limitless fortune and lifelong nanny Hobson (Academy Award® winner* Helen Mirren) to keep him out of trouble. Now he faces his biggest challenge: choosing between an arranged marriage to ambitious corporate exec Susan (Jennifer Garner) that will ensure his lavish lifestyle, or an uncertain future with the one thing money can’t buy â€" Naomi (Greta Gerwig), his true love. With Naomi’s inspiration and some unconventional help from Hobson, Arthur will take the most expensive risk of his life and learn what it means to be a man in this re-imagining of the beloved Oscar®-winning* romantic comedy Arthur. As a hig! h-concept Hollywood pitch, remaking the charming Dudley Moore ! 1981 com ic romp about a man-child billionaire playboy with a rather serious drinking problem and installing Russell Brand as the new lead sounded like a pretty good idea. With Brand's reputation as a semi-reformed bad boy and actual recovering alcoholic/addict (not to mention his parlayed success from English standup fame to movies like Forgetting Sarah Marshall and Get Him to the Greek), he was a great casting choice to reprise Moore's devilishly innocent character. In many ways Brand is among the heirs to first-wave loony British comics like Moore, Peter Sellers, and Spike Milligan, along with actors like Steve Coogan, Eddie Izzard, and Ricky Gervais. But something happened in the 30-year translation that has deflated a lot of charm from the 2011 Arthur. Brand is probably the best thing about the movie, although he's never quite able to capture the characterization of a genuinely agreeable immature cad that Moore portrayed so adorably. This is Russell Brand pl! aying another version of himself, which isn't such a bad thing, just not quite adorable enough. Brand is a smart, funny, and quick-on-his-feet improviser, and lot of that comes through, but he'd probably be the first to admit that he's no Dudley Moore.

The basics of the story remain unchanged. Arthur Bach is a trust fund child who is stuck in childhood, even though his pampered bubble of wealth now brings him toys like prostitutes, famous movie prop cars (the Batmobile, the Back to the Future DeLorean, the Scooby-Doo Mystery Machine, and others all make appearances), and all manner of grownup baubles at every fleeting whim. His stuck-in-childhood mode seems to be blamed on the loss of his doting father at a very young age. But now at 30, his prim mother (Geraldine James) wants him to grow up, stop embarrassing the huge corporation that bears their name, and marry a respectable girl (Jennifer Garner) who will tame him and give the company a veneer of respec! tability. Upon threat of being cut off from the family fortune! , Arthur reluctantly agrees, but then immediately falls for the real girl of his dreams, a lowly--and poor--Manhattan tour guide (Greta Gerwig), who falls for him too. She doesn't even care about the money. The issue of drink is handled somewhat differently 30 years after Dudley Moore made such a loveable and unrepentant chronic inebriant. Since it's kind of a more significant societal issue, the filmmakers haven't really been able to make it as much of a fun and funny part of who Arthur is (plus, Dudley Moore did a drunken shtick that was fairly classic, while there doesn't seem to be much difference between Brand's drunken and sober Arthur). Arthur's drinking is treated as a genuine problem in this update, which also provides comedy the dilemma of dealing with seriousness. Fortunately the sense of forward momentum, Brand's general likeability, and the pervading sunny tone cover up a lot. The other big selling point and major change from the original is the character of Hobson, who! for Dudley Moore was a dour butler played by John Gielgud, and for Russell Brand is a disapproving nanny in the persona of Helen Mirren. Both Hobsons were best friends to Arthur, and Mirren's statuesque gravitas brings a lot to the authentic lifelong affection that seems real as handled by both actors. Overlooking some slackness in the script, Brand and Mirren give this bright, shiny updated Arthur longer legs than it might otherwise have had in striding cleverly into audiences' hearts. --Ted FryArthur's family vacation is all wet-it's pouring rain! Arthur has to take charge and finds new things for his family to do-like go to Gatorville. Maybe family vacation isn't so bad after all!