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During breaks in productions from "7th Heaven", Beverley Mitchell frequently traveled to Nasville where she co-wrote and recorded songs for this debut album. From songs about standing up for what you believe in to bittersweet ballads about life and loss, this album has something for every country music fan.The image of Beverley Mitchell in a cowboy hat is going to take a little getting used to for WB viewers--as far-reaching a show as
7th Heaven is, it doesn't venture much into honky-tonk territory. But that's no reason for a country girl to keep quiet, as Mitchell makes abundantly clear in this old-fashioned and sweet-sounding debut. If there's a theme here, it's '70s-style straightf! orwardness and simplicity: "You Didn't Kiss Me," a sad rumination on a missing goodnight kiss, is as artfully achy as anything Tanya Tucker ever recorded, and "Walkin'," an upbeat number about emotional backsliding, also smacks of a sincerer decade gone by. Credit for the songs' relate-ability goes partially to Mitchell, who co-wrote half of them. But aside from the songwriters' talent for winding homesickness, heartsickness, hopefulness, and humility into pretty songs, there's something to be said for this lovely album's production--it's as crisp and clear as the deep-running creek Mitchell sings of on the opening track "Heaven on Earth down Here."
--Tammy La GorceDuring breaks in productions from "7th Heaven", Beverley Mitchell frequently traveled to Nasville where she co-wrote and recorded songs for this debut album. From songs about standing up for what you believe in to bittersweet ballads about life and loss, this album has something for every country music! fan.The image of Beverley Mitchell in a cowboy hat is going t! o take a little getting used to for WB viewers--as far-reaching a show as
7th Heaven is, it doesn't venture much into honky-tonk territory. But that's no reason for a country girl to keep quiet, as Mitchell makes abundantly clear in this old-fashioned and sweet-sounding debut. If there's a theme here, it's '70s-style straightforwardness and simplicity: "You Didn't Kiss Me," a sad rumination on a missing goodnight kiss, is as artfully achy as anything Tanya Tucker ever recorded, and "Walkin'," an upbeat number about emotional backsliding, also smacks of a sincerer decade gone by. Credit for the songs' relate-ability goes partially to Mitchell, who co-wrote half of them. But aside from the songwriters' talent for winding homesickness, heartsickness, hopefulness, and humility into pretty songs, there's something to be said for this lovely album's production--it's as crisp and clear as the deep-running creek Mitchell sings of on the opening track "Heaven on Earth down Here."
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