- Dispense aqueous liquids directly from 5 gallon graduated jug without lifting or moving
- Jug is strong and lightweight HDPE; gaskedted and threaded LDPE spigot extends 125mm from jut and features a 35mm long stem for dispensing
- Top opening is 70mm I.D. for fast re-filling
- Dimensions: 25cm (9 7/8") sq. x 38cm (15") high; 20 liter (5 gallon) capacity
- Built in handle for easy transport
HIGH ART - DVD MovieSyd (Radha Mitchell) is an editor at a painfully pretentious art magazine; by chance, she becomes acquainted with lesbian photographer Lucy (Ally Sheedy) and her weirdo German girlfriend (Patricia Clarkson, in a strange Dietrich-like role). Syd becomes captivated with Lucy and her work and, smelling a career move, offers to feature her in the next issue of the magazine. The two become attracted, but their relationship is fraught with perils--Syd loses her rathe! r square boyfriend, Lucy's girlfriend takes a hike, the avaricious management at the magazine pressures Syd, and, most importantly, the pair begins to travel down the road of heroin addiction. Besides the lesbian theme,
High Art addresses such subtexts as what an artist will (or won't) be willing to do for recognition, and what price that recognition carries.
High Art is a remarkably honest work, painful at times but understated and thoughtful. It does an excellent job of portraying the heroin-induced torpor of Lucy and her bohemian friends as they lie around and become consumed with the stuff. It's a cautionary tale, a sincere love story, a reflection on the nature of art, and a "lesbian film" for which the lesbianism is integral but not part of an overriding agenda. Sheedy is excellent, as is Mitchell in a very expressive role. It's far from being a feel-good movie, but
High Art undeniably has some power behind it that will stick with you past t! he closing credits.
--Jerry RenshawSyd (Radha Mitchell! ) is an editor at a painfully pretentious art magazine; by chance, she becomes acquainted with lesbian photographer Lucy (Ally Sheedy) and her weirdo German girlfriend (Patricia Clarkson, in a strange Dietrich-like role). Syd becomes captivated with Lucy and her work and, smelling a career move, offers to feature her in the next issue of the magazine. The two become attracted, but their relationship is fraught with perils--Syd loses her rather square boyfriend, Lucy's girlfriend takes a hike, the avaricious management at the magazine pressures Syd, and, most importantly, the pair begins to travel down the road of heroin addiction. Besides the lesbian theme,
High Art addresses such subtexts as what an artist will (or won't) be willing to do for recognition, and what price that recognition carries.
High Art is a remarkably honest work, painful at times but understated and thoughtful. It does an excellent job of portraying the heroin-induced torpor of Lucy and her b! ohemian friends as they lie around and become consumed with the stuff. It's a cautionary tale, a sincere love story, a reflection on the nature of art, and a "lesbian film" for which the lesbianism is integral but not part of an overriding agenda. Sheedy is excellent, as is Mitchell in a very expressive role. It's far from being a feel-good movie, but
High Art undeniably has some power behind it that will stick with you past the closing credits.
--Jerry RenshawBETTER THAN CHOCOLATE - DVD MovieMany lesbian movies are long on charm and short on production values;
Better Than Chocolate has a solid dose of both and steamy sex scenes to boot. Our heroine Maggie (Karyn Dwyer), a clerk at a lesbian bookstore, meets footloose butch Kim (Christina Cox) and, after Kim's van is towed away, they move in together. Unfortunately for their romantic bliss, Maggie's mother, Lila (Wendy Crewson), and teenage brother move in that very evening thanks to Lila's impendin! g divorce. But what really complicates matters is that Maggie ! can't br ing herself to come out to her mother; even when she tries, Lila steamrolls through the conversation, like she knows what's coming and doesn't want to hear it. Interwoven with this is the struggle of Judy (Peter Outerbridge), a male-to-female transsexual who's in love with the bookstore's owner, Frances (Ann-Marie MacDonald), who's freaking out because customs officers are holding a list of books at the border that they claim are obscene. The overlapping plots are deftly juggled, the personal and political are compellingly interwoven, and, most satisfying of all, the characters have problems that aren't going to be easily resolved. A handful of candy-colored lip-synching musical numbers give the movie some flash and the sex scenes give the movie some heat, but it's the elements of sorrow and ambiguity that really make the joy in
Better Than Chocolate something to savor.
--Bret FetzerSyd (Radha Mitchell) is an editor at a painfully pretentious art magazine; b! y chance, she becomes acquainted with lesbian photographer Lucy (Ally Sheedy) and her weirdo German girlfriend (Patricia Clarkson, in a strange Dietrich-like role). Syd becomes captivated with Lucy and her work and, smelling a career move, offers to feature her in the next issue of the magazine. The two become attracted, but their relationship is fraught with perils--Syd loses her rather square boyfriend, Lucy's girlfriend takes a hike, the avaricious management at the magazine pressures Syd, and, most importantly, the pair begins to travel down the road of heroin addiction. Besides the lesbian theme,
High Art addresses such subtexts as what an artist will (or won't) be willing to do for recognition, and what price that recognition carries.
High Art is a remarkably honest work, painful at times but understated and thoughtful. It does an excellent job of portraying the heroin-induced torpor of Lucy and her bohemian friends as they lie around and become con! sumed with the stuff. It's a cautionary tale, a sincere love ! story, a reflection on the nature of art, and a "lesbian film" for which the lesbianism is integral but not part of an overriding agenda. Sheedy is excellent, as is Mitchell in a very expressive role. It's far from being a feel-good movie, but
High Art undeniably has some power behind it that will stick with you past the closing credits.
--Jerry RenshawART OF HIGH IMPACT KICKING - DVD MovieSixties psychedelic poster art has stretched beyond the ephemeral and functional nature of its design to become highly collectable and internationally recognized. High Art explores both the creation of psychedelia and the imagery born of this movement. It covers the Avalon and Fillmore ballrooms who commissioned the art, the UFO Club in London and features leading American artists, profiles of British artists and it describes the collectors' experience.Use this 20 liter (5 gallon) jug with molded-in graduations (in gallons) to store and dispense common solutions, including janit! orial cleaners, deionized / distilled water, or other aqueous liquids. Jug is made from strong and lightweight HDPE, while the gaskedted and threaded LDPE spigot extends 125mm from jut and features a 35mm long stem for dispensing. The top opening is 70mm I.D. for fast re-filling and the built-in handle (45mm high) provides for easy transport. Dimensions: 25cm (9 7/8") sq. x 38cm (15") high. Shipping weight 1.7kg (3.7lb).
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